New long player. a skip and a song to see us along Excerpts

 

Title: a skip and a song to see us along

Artist: keith seatman

Release Date: 16^th August 2024

Cat No: ksa 011

Released by: K.S.Audio

Format: CD, Digi from Bandcamp

a skip and a song to see us along is the 8^th album by Keith Seatman and his 1^st non-Castles in Space album release since 2017.
Castles in Space will be releasing a new LP from Keith in Feb 2025 and a
remix 7inch single in late 2024.
In the meantime this release is a collection of 10 new tunes featuring more of his Odd Electronics, Psych, Radiophonics, Drone, quirky melodies, samples and random thoughts. Douglas E Powell joins Keith again and supplies Acoustic Guitar on track 10 jumbled letters.

a skip and a song to see us along Excerpts

Keith Seatman · a skip and a song to see us along Excerpts

Some new tunes on Soundcloud

Over the Summer I completed 3 new tunes. These new tunes now on Soundcloud.
No plans at present to release (if at all/ever)
For the Causeway Turn

Keith Seatman · For The Causeway Turn

Jessica Being Silly

Keith Seatman · Jessica Being Silly

 Lady Dunford's Impersonator

Keith Seatman · Lady Dunford’s Impersonator

Disjointed Oddities and Other Such Things EP (Excerpts) and Maybe a 12inch

Due for release later in the year Disjointed Oddities and Other Such Things is the 1st EP of Odd Strange Electronics, Psych, Radiophonics, Drone and quirky Folk by Keith Seatman. Track five on the EP is a remix of the 2015 album track Broken Folk, the original version of Broken Folk can be heard on the album A Rest Before the Walk. Broken Folk Spiricom Shakedown Remix is by Revbjelde who appear courtesy of Buried Treasure Records Disjointed Oddities will be available as a CD and Digital download from Bandcamp later in 2018. Also there plans and negotiations in progress for a 4 track 12 inch single release somewhere along the line. This single will be a totally separate release consisting of reworks/remixes of 4 other previously released tracks which were co-written and sung by  Douglas E Powell. More news on that later in the year.

A couple of new tunes

A couple of new tunes. These are the first tunes that I have produced since the last album came out back in April. Not sure if these will end up on a new album? or might try to release an Ep (Vinyl) Also maybe plans if possible to release an EP with Douglas E Powell (see previous post) of course all of this depends on time and finances, so who knows?
 

Still Some CDs left here, but not there

There are still some CDs left and available from Bandcamp for all hold hands and off we go.
CDs now sold out in the Ghost Box Records Guests shop.

Press/Reveiws
It's music of a lost Albion, a windswept land of steel skies and old ways, of dark, satanic mills built upon psilocybin drenched earth fertilised by the endlessly copulating ghosts of generations of cunning folk. Through it's hands runs a stream of British outsider music from Coil to Bowie at his most enigmatic and it feels like it's redefining the boundaries of what constitutes a truly British music.
Ian Holloway (Wyrd Britain June 2017)  

Surreal retro analogue visions slide in and out of haunted fever dreams in this woozy, uniquely psychedelic, Radiophonic-flavored concoction that's suffused with ambivalent subconscious.
Carl Griffin Electronic Sound Magazine 28 (April 2017)
 
Odd In A Nightcap And Cup’ and ‘Please, Is It You’ very much recall Broadcast, ‘Tap Tap’ could be The Human League Mark One doing incidental music for Blake’s Seven and once again, Devon-based folky Douglas E Powell contributes some Syd-esque vocals on the haunting ‘Mr Metronome.
Jon Mojo Mills Shindig Issue 67 (May 2017)
 
Unsettling pastoral electronica on this 5th CD album from Keith Seatman.
He’s joined on two tracks by vocalist Douglas Powell.
Jim Jupp (Ghost Box Records May 2017)
 
The mixing and seamlessly combining and bringing together of atmospheres that you would not normally connect with one another is probably one of the defining aspects of the album; this is an unsettling, playful, warm, comforting, distant, familiar, experimental work with an intriguing pop edge.
A Year in the Country (April 2017) 

Strange exotica, repeated samples and a sense of quiet adventure are found on Keith Seatman‘s all hold hands and off we go.
A Closer Listen (April 2017)

An album length sonic journey into the surreal, the strange and the sinister, a psychedelic pseance populated by waking dreams, nocturnal nightmares and supernatural forbearance, a melodic map of discovered Barrett-esque continents and hitherto beyond the eye magick lands. Trippy stuff.
The Sunday Experience (Jan 2017) 

From The Furthest Signals

Artifact Report #22/52a: From The Furthest Signals – Clips Online

File Under: Encasments / Artifacts – Artifact #3a
From The Furthest Signals album clips are online for listening to.
Visit them at our Soundcloud Mark II Ether Victrola.
Pre-order 13th June 2017. Release date 27th June 2017.
Audiological explorations by Circle/Temple, David Colohan, Sharron Kraus, A Year In The Country, Time Attendant, Depatterning, Field Lines Cartographer, Grey Frequency, Keith Seatman, Polypores, The Hare And The Moon, Pulselovers and Listening Center.
Further details on From The Furthest Signals can be found here.

all hold hands and off we go. Release April 2017

Here are 11 excerpts from all hold hands and off we go.
all hold hands and off we go is the 5th album of strange Electronics, Psych, Radiophonics, Drone and quirky Folk by Keith Seatman.
As on his previous release (A Rest Before the Walk) Keith re-unites with North Devon Singer/Songwriter Douglas E Powell for two tracks
mr metronome and boxes with rhythms in.
Release Date April 2017
CD and Digital download from Bandcamp.
The tracks are
a lighthouse might look long
all hold hands and off we go
skipping rope
mr metronome*
left behind or lost & dropped
four steps at a time
odd in a nightcap and cup
tap tap
boxes with rhythms in*
with salt and candy
please, is it you?

Out into the light sometime April-ish and again finds Mr Seatman forging alliances with Mr Powell for an album length sonic journey into the surreal, the strange and the sinister, a psychedelic pseance populated by waking dreams, nocturnal nightmares and supernatural forbearance, a melodic map of discovered Barrett-esque continents and hitherto beyond the eye magick lands. Trippy stuff.
The Sunday Experience (Jan 2017)

Keith Seatman's science fiction landscapes explode with meekness that is undiscriminating as it is enthusiastic. Seatman is a talented sound designer, and it shines on his instrumentals.
Wire Magazine 383 (Jan 2016)

Spellbinding, Captivating, Evocative Radiophonic keyboard compositions and electronic folk. Brilliant.
Carl Griffin Electronic Sound Magazine (Dec 2016)

Seatman’s odd melodies sit with industrial repetition to convey the scares of the synth laden themes and incidental scene setting pieces of early 70s through early 80s kids TV
Jon Mills (Shindig Magazine issue 39 2014)

"Seatman is a kindred spirit, and this is his most evocative and personal sounding work to date."
Jim Jupp, (Ghost Box, 2013)  

Keith Seatman is someone whose music I first heard in the context of my old experimental music zine, ‘WonderfulWooden Reasons’ and who’s album left me craving more. His latest is an utterly glorious selection of filmic folk and ghostly electronica that is utterly mesmerising from first to last.
Wyrd Britain (Nov 2015)
 
Hampshire’s Keith Seatman is a name that will be familiar to many from his previous albums such as ‘Around The Folly And Down Hill’ and ‘Consistently Mediocre And Daydreams’, both modern classics of spooked electronica and shadowy synthesised vignettes. If you have not already do take a journey through his back catalogue, there are many evocative and unsettling treasures to be found. Seatman is also known for his superb ‘Test Transmission Archive Reels', extensive mixes featuring vintage recordings, electronic and hauntological tracks and choice musical offerings.
The Active Listener (Oct 2015)

all hold hands and off we go (Excerpt)

Another excerpt from the new album all hold hands and off we go, due for release in 2017. There are also plans for a 4 track ep late in 2017 and I have two tracks on another compilation, so busy times ahead. More on all this at a later date.