Some recent reviews for the last long player a skip and a song to see us along.
Available from Bandcamp
A Shindig an Electronic Sound and a Fortean Times
Showing posts with label Shindig. Show all posts
Showing posts with label Shindig. Show all posts
Saturday, 12 October 2024
A Shindig an Electronic Sound and a Fortean Times
Wednesday, 3 April 2024
Some Vinyl and CDs still available and floating about
Some 12inch Vinyl copies of Sad Old Tatty Bunting still available over at Castles in Space
There's no one quite like Keith Seatman. His new album Sad Old Tatty
Bunting, is a psychedelic joyride through a parallel universe, a
dreamlike England full of alchemists and scarecrows and gated
communities guarded by gnomes.
Bob Fischer Electronic Sound (March 2022)
Keith has gradually risen to the top of the pile of the hauntology genre. For this new album It’s an album of wonky, kaleidoscopic psychedelia and has some genuinely scary moments on offer. It’s like some mad, arcade feature, I am again caught up in a seemingly never ending fairground nightmare, there’s a ton of synths and backwards guitar riffs vying for my attention.
Andrew Young Terrascope (May 2022)
Bob Fischer Electronic Sound (March 2022)
Keith has gradually risen to the top of the pile of the hauntology genre. For this new album It’s an album of wonky, kaleidoscopic psychedelia and has some genuinely scary moments on offer. It’s like some mad, arcade feature, I am again caught up in a seemingly never ending fairground nightmare, there’s a ton of synths and backwards guitar riffs vying for my attention.
Andrew Young Terrascope (May 2022)
Some 10inch Green Vinyl copies of The Broken Folk EP still available over at
Ghostbox Records/Belbury Music Shop.
Ghostbox Records/Belbury Music Shop.
This 5 song 10inch EP combines the plaintive
English voice of Powell placed amongst Germanic analogue organ, synths and
sequencers creating the type of dark Cold War soundscapes favoured by the
Radiophonic Workshop to the Human League. Floydian incidental music for a late
70s post nuclear meltdown drama.
Shindig Magazine (Jan 2019)
Some CD copies of Disjointed Oddities and Other Such Things still available over at
"Disjointed Oddities Vol: 2
follows on from 2018's Disjointed Oddities and Other Such things.
This is by the great Keith Seatman. Over the last 13 years has released 7 solo albums,
all of them unique and interesting."
Stuart Maconie, Freak Zone BBC 6 Music June 2023
This is by the great Keith Seatman. Over the last 13 years has released 7 solo albums,
all of them unique and interesting."
Stuart Maconie, Freak Zone BBC 6 Music June 2023
Recalling the abstract experiments of Basil Kirchin,
back-to-the-nursery psychedelic nightmares that were recurring scenarios on The
Prisoner and The Avengers. A parping, marching melody that could’ve come from
The Residents. This 16-minute EP is a perfect introduction to Seatman’s
evocative, unsettling world.
Ben Graham Shindig Magazine (July 2023)
Sunday, 1 January 2017
all hold hands and off we go. Release April 2017
Here are 11 excerpts from all hold hands and off we go.
all hold hands and off we go is the 5th album of strange Electronics, Psych, Radiophonics, Drone and quirky Folk by Keith Seatman.
As on his previous release (A Rest Before the Walk) Keith re-unites with North Devon Singer/Songwriter Douglas E Powell for two tracks
mr metronome and boxes with rhythms in.
Release Date April 2017
CD and Digital download from Bandcamp.
The tracks are
a lighthouse might look long
all hold hands and off we go
skipping rope
mr metronome*
left behind or lost & dropped
four steps at a time
odd in a nightcap and cup
tap tap
boxes with rhythms in*
with salt and candy
please, is it you?
Out into the light sometime April-ish and again finds Mr Seatman forging alliances with Mr Powell for an album length sonic journey into the surreal, the strange and the sinister, a psychedelic pseance populated by waking dreams, nocturnal nightmares and supernatural forbearance, a melodic map of discovered Barrett-esque continents and hitherto beyond the eye magick lands. Trippy stuff.
The Sunday Experience (Jan 2017)
Keith Seatman's science fiction landscapes explode with meekness that is undiscriminating as it is enthusiastic. Seatman is a talented sound designer, and it shines on his instrumentals.
Wire Magazine 383 (Jan 2016)
Spellbinding, Captivating, Evocative Radiophonic keyboard compositions and electronic folk. Brilliant.
Carl Griffin Electronic Sound Magazine (Dec 2016)
Seatman’s odd melodies sit with industrial repetition to convey the scares of the synth laden themes and incidental scene setting pieces of early 70s through early 80s kids TV
Jon Mills (Shindig Magazine issue 39 2014)
"Seatman is a kindred spirit, and this is his most evocative and personal sounding work to date."
Jim Jupp, (Ghost Box, 2013)
Keith Seatman is someone whose music I first heard in the context of my old experimental music zine, ‘WonderfulWooden Reasons’ and who’s album left me craving more. His latest is an utterly glorious selection of filmic folk and ghostly electronica that is utterly mesmerising from first to last.
Wyrd Britain (Nov 2015)
Hampshire’s Keith Seatman is a name that will be familiar to many from his previous albums such as ‘Around The Folly And Down Hill’ and ‘Consistently Mediocre And Daydreams’, both modern classics of spooked electronica and shadowy synthesised vignettes. If you have not already do take a journey through his back catalogue, there are many evocative and unsettling treasures to be found. Seatman is also known for his superb ‘Test Transmission Archive Reels', extensive mixes featuring vintage recordings, electronic and hauntological tracks and choice musical offerings.
The Active Listener (Oct 2015)
all hold hands and off we go is the 5th album of strange Electronics, Psych, Radiophonics, Drone and quirky Folk by Keith Seatman.
As on his previous release (A Rest Before the Walk) Keith re-unites with North Devon Singer/Songwriter Douglas E Powell for two tracks
mr metronome and boxes with rhythms in.
Release Date April 2017
CD and Digital download from Bandcamp.
The tracks are
a lighthouse might look long
all hold hands and off we go
skipping rope
mr metronome*
left behind or lost & dropped
four steps at a time
odd in a nightcap and cup
tap tap
boxes with rhythms in*
with salt and candy
please, is it you?
Out into the light sometime April-ish and again finds Mr Seatman forging alliances with Mr Powell for an album length sonic journey into the surreal, the strange and the sinister, a psychedelic pseance populated by waking dreams, nocturnal nightmares and supernatural forbearance, a melodic map of discovered Barrett-esque continents and hitherto beyond the eye magick lands. Trippy stuff.
The Sunday Experience (Jan 2017)
Keith Seatman's science fiction landscapes explode with meekness that is undiscriminating as it is enthusiastic. Seatman is a talented sound designer, and it shines on his instrumentals.
Wire Magazine 383 (Jan 2016)
Spellbinding, Captivating, Evocative Radiophonic keyboard compositions and electronic folk. Brilliant.
Carl Griffin Electronic Sound Magazine (Dec 2016)
Seatman’s odd melodies sit with industrial repetition to convey the scares of the synth laden themes and incidental scene setting pieces of early 70s through early 80s kids TV
Jon Mills (Shindig Magazine issue 39 2014)
"Seatman is a kindred spirit, and this is his most evocative and personal sounding work to date."
Jim Jupp, (Ghost Box, 2013)
Keith Seatman is someone whose music I first heard in the context of my old experimental music zine, ‘WonderfulWooden Reasons’ and who’s album left me craving more. His latest is an utterly glorious selection of filmic folk and ghostly electronica that is utterly mesmerising from first to last.
Wyrd Britain (Nov 2015)
Hampshire’s Keith Seatman is a name that will be familiar to many from his previous albums such as ‘Around The Folly And Down Hill’ and ‘Consistently Mediocre And Daydreams’, both modern classics of spooked electronica and shadowy synthesised vignettes. If you have not already do take a journey through his back catalogue, there are many evocative and unsettling treasures to be found. Seatman is also known for his superb ‘Test Transmission Archive Reels', extensive mixes featuring vintage recordings, electronic and hauntological tracks and choice musical offerings.
The Active Listener (Oct 2015)
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