Clip Clop Non Stop (Belbury Poly Mix) by Keith Seatman and Belbury Poly

 

Exclusive to the Castles in Space Subscription Library Singles Club.

 https://castlesinspace.bandcamp.com/community

 Clip Clop Non Stop (Belbury Poly Mix) by Keith Seatman and Belbury Poly 

 is our opening salvo. 

  

There will be a vinyl compilation of some of these singles coming towards the back end of the year, but meanwhile prepare yourself for a series of exclusive virtual 7" and 12" singles as we move through 2025. These tracks will not be appearing anywhere else other than within the Subscription Library community. credits released February 22, 2025 

 

 Written by Keith Seatman and Jim Jupp Production and remix by Jim Jupp Artwork by Nick Taylor © Castles in Space ℗ Signal to Noise ℗ Belbury Music CiS196 

 The original version of this track will appear on the forthcoming Keith Seatman album, "Counting To Ten Then Back Again" 

Some Vinyl and CDs still available and floating about

 

 

Some 12inch Vinyl copies of Sad Old Tatty Bunting still available over at Castles in Space

 

There's no one quite like Keith Seatman. His new album Sad Old Tatty Bunting, is a psychedelic joyride through a parallel universe, a dreamlike England full of alchemists and scarecrows and gated communities guarded by gnomes.
Bob Fischer Electronic Sound (March 2022)

Keith has gradually risen to the top of the pile of the hauntology genre. For this new album It’s an album of wonky, kaleidoscopic psychedelia and has some genuinely scary moments on offer. It’s like some mad, arcade feature, I am again caught up in a seemingly never ending fairground nightmare, there’s a ton of synths and backwards guitar riffs vying for my attention.
Andrew Young Terrascope (May 2022) 

 

 

Some 10inch Green Vinyl copies of The Broken Folk EP still available over at
Ghostbox Records/Belbury Music Shop.

 

This 5 song 10inch EP combines the plaintive English voice of Powell placed amongst Germanic analogue organ, synths and sequencers creating the type of dark Cold War soundscapes favoured by the Radiophonic Workshop to the Human League. Floydian incidental music for a late 70s post nuclear meltdown drama.
Shindig Magazine (Jan 2019)

 

Some CD copies of Disjointed Oddities and Other Such Things  still available over at

Bandcamp

 

"Disjointed Oddities Vol: 2 follows on from 2018's Disjointed Oddities and Other Such things.
This is by the great Keith Seatman. Over the last 13 years has released 7 solo albums,
all of them unique and interesting."
Stuart Maconie, Freak Zone BBC 6 Music June 2023  

 

Recalling the abstract experiments of Basil Kirchin, back-to-the-nursery psychedelic nightmares that were recurring scenarios on The Prisoner and The Avengers. A parping, marching melody that could’ve come from The Residents. This 16-minute EP is a perfect introduction to Seatman’s evocative, unsettling world.

Ben Graham Shindig Magazine (July 2023)  

 

Sad Old Tatty Bunting released Today

 Sad Old tatty Bunting has been released and is available from
Castles in Space and Rough Trade/Norman Records and many others.
Artwork by Nick Taylor

 

Castles in Space is thrilled to present a timely new album from Keith Seatman - his first “extraordinary adventure” since 2020’s “Time To Dream But Never Seen”. “Sad Old Tatty Bunting” is another multi layered, deeply psychedelic construction which contains collaborations with Jim Jupp (Ghost Box, Belbury Poly) and Douglas E. Powell (Broken Folk).

Keith provides the vision and background to the album:

“The inspiration for Sad Old Tatty Bunting came about very early one morning in April 2020, during the first UK lockdown. I had taken to going for long walks between six and seven o’clock in the morning. I would stroll aimlessly and directionless up and down terraced streets, along the beach and on the prom.
On these early morning walks, places that were once very familiar to me seemed to have changed and taken on an unfamiliar feel. With this change I noticed new things, things which I had not seen before or maybe had no memory of ever seeing.

“One morning I passed an old pub. Hanging in the beer garden was some very old and quite shabby looking bunting. As I stared at the faded old colours I started to wonder why the bunting was there? Was it put up to mark a long forgotten occasion? Or had it been placed there to just brighten up the garden? As the weeks went by, I started to wander further and every now and then would notice more random old tatty bunting hanging from trees, lamp posts or in windows. On theses walks an idea started to take root. I came up with and really liked the phrase Sad Old Tatty Bunting. I mentioned this to my friend Douglas E Powell who said it sounded like the name of an old scarecrow (Tatty Bunting) it was then that I realised that Sad Old Tatty Bunting could refer to many different concepts/ideas/places/books and things. What, who or even where was Sad Old Tatty Bunting? I honestly had no idea…but it was definitely an idea I was going to pursue…”  

 

All instruments Keith Seatman, with
Jim Jupp - Synths on Jumpy's Playroom
Douglas E Powell - Voice on Burial at Bevill's Leam

All Tracks Written by Keith Seatman, except
Seatman and Jupp - Jumpy's Playroom
Seatman and Powell - Burial at Bevill's Leam

All tracks produced by Keith Seatman and Jack Packer, except
Jumpy's Playroom - Produced by Jim Jupp  

Broken Folk 10inch EP available now on Bandcamp

I am pleased to say that there is now a limited number of copies of the Seatman & Powell (featuring Belbury Poly) Broken Folk 10inch EP, available from Bandcamp. Previously only available from Ghostbox Records, Belbury Music Shop. A five track EP of collaborations with folk singer Douglas E. Powell /Bellprover selected from my albums, A Rest Before the Walk and all hold hands and off we go. It opens with a remix of the title track Broken Folk by Ghost Box veterans, Belbury Poly.
Melancholic and subtly psychedelic, these songs are redolent of supernatural short stories and winter afternoons out on English landscapes. In these dark rustic reveries, Seatman builds a dense collage of electronics, fragmented melody and found sound, around which Powell weaves his dreamlike lyrics. The 10” is pressed on translucent green vinyl with sleeve art by Belbury Poly's Jim Jupp. It’s released on Seatman’s own label KS Audio and is produced in association with Belbury Music. 
Broken Folk* (Belbury Poly Mix)
Boxes with Rhythms In
Broken Folk
Mr Metronome
My Morning Ritual

All instruments
Keith Seatman (& Jim Jupp on * ). Vocals Douglas E Powell
Produced by Keith Seatman & Jack Packer.
Except * produced by Jim Jupp
Written by Seatman & Powell.
Except * by Seatman, Powell & Jupp
Mastered by Jim Jupp
Cover design by Jim Jupp
(P) & (C) K S Audio 2018
Belbury Music

Broken Folk 10inch EP available now on Bandcamp

Keith Seatman · Broken Folk EP (Excerpts)Seatman & Powell featuring Belbury Poly

Beautify Junkyards & Belbury Poly 30th April

Released on 30th April on all digital channels and on heavyweight vinyl 7” with beautiful gatefold sleeve artwork is by Ghost Box Records in house designer, Julian House. The A side is a cover of The Incredible String Band’s Painting Box, originally written by Mike Heron. It’s a collaboration between Beautify Junkyards and Belbury Poly and produced by Jim Jupp. The flipside is an original by Beautify Junkyards, Ritual in Transfigured Time, produced by João Branco Kyron. Both have a delightfully disorientating sound. The artists complement each other perfectly with their through-the-looking-glass electronic psychedelia. Release Date 30th April 2021

Ghost Box · Painting Box (preview)

The Wonderful World of Quentin Smirhes

 I first became aware of Quentin's surreal and wonderful work via Jim Jupp at Ghostbox Records. Jim sent me a link to two of Quentin's Youtube Videos (Bird Box Orchestra and Picture Box extended ending) I became quite obsessed with watching these (last time I got like this was when I kept watching Salad Fingers)  I should point out that Quentin is the creation of writer, film-maker and performer Sean Reynard. Tap his name into Google and you get this wonderful description. Quentin Smirhes, created by writer and film maker Sean Reynard is the febrile re-imagining of children's school TV from the seventies cupboard. It's like 'Vision On' directed by Jan Svankmajer. Bob Fischer had a very in depth and lovely interview with Sean Reynard for his excellent Haunted Generation site.
For all Quentin's wonderful videos go here 
You can purchase Quentin some Luncheon Meat here.

The Sonik Youth Club, Braunton, Devon

 Way back in Feb 2020 myself and Jim Jupp were invited to play a DJ set at The Sonik Youth Club in Braunton North Devon. Unfortunatly we all went into lockdown, and with no chance of us playing this set live we were asked by Doug to do a mix for  The Sonik Youth Club on Mixcloud. Hopefully when all this is over a swift journey to Braunton might just happen...but until then put your feet up and enjoy all the The Sonik Youth Club mixes here
And now some words from and about The Sonik Youth Club.
The Sonik Youth Clubis a collection of DJ's and music enthusiasts coming together to play live DJ sets in amazing spaces. No genres, only interesting and diverse music performed by and for free thinking people. The first Sonik Youth Club was a live event at Saunton Road Studios, Braunton, Devon, 29th Feb 2020 and featured 3 live DJ sets from Doug Powell, Buko and Si Gracia. Saunton Road Studios is a great little venue, it’s not only a recording studio but it doubles up as a live venue and bar with great local beer, ideal for a small gathering of 50 or so. Perfect for the Sonik Youth Club. I’ve always wanted to put on a night were anyone could come and play anything they wanted to, not necessarily DJ’s and not a typical dance night and not even in a club setting, just a cool place where folks could listen to music that they are not usually exposed to. The first night was a great success with the promise of something a bit different from the usual night out at local pub. Buko opened the evening with a set of Psych, 60’s garage and Experimental Electronica. Doug Powell’s set was a wide-ranging mix of 60’s French Pop, Psych, Folk and Electronica. Si Gracia ending the evening with his trademark set of Jazz, Funk and House. Soon after we all went into lockdown, so Doug had to move the Sonik Youth Club online to Mixcloud. It was a shame not to able to carry on with the live events. Doug told us, but this opened up an opportunity for us to be heard worldwide and to get submissions for DJ sets and mixtapes from across the globe. We are currently up to 9 mixes and have loads more waiting in the wings to be posted. Mixes still currently available;
Sonik Youth Club 1, Doug Powell DJ Mix
Sonik Youth Club 2, Doug Powell DJ Mix
Sonik Youth Club 3, Lee Ackland DJ Mix
Sonik Youth Club 4, Jay’s Chaos Indie Classics Mix Tape
Sonik Youth Club 5, Russ Never Sleeps Mix Tape
Sonik Youth Club 6, Alan Cook DJ Mix
Sonik Youth Club 7, Stribbs DJ Mix
Sonik Youth Club 8, Jez Stevens DJ Mix
Sonik Youth Club 9, Keith Seatman & Jim Jupp DJ Mix

Phantasmagorical Progtronica

Like peeking round a corner and viewing scenes from your own or someone else’s past. Old photographs brought to life with the horrible high-definition of reality.
Each track is a mechanical box, the album a set of Russian dolls peculiarly connected but of
the same family. It makes for a sometimes uncomfortably intriguing experience.
That unease you feel? It is just around the corner.

Stewart Gardiner: Concrete Islands Apil 2020 (Full Review)

Concrete Islands

Out Now on Castles in Space

 

Time to Dream but Never Seen is out now and available from

Vinyl & Digi from Castles in Space
Digi from Bandcamp
 Credits
All Tracks written by
Keith Seatman
Except*
Seatman and Powell
Music
Keith Seatman
Words and Voice
Douglas E Powell 
Produced by
Keith Seatman and Jack Packer
© Keith Seatman 2019
Many Thanks to
Jim Jupp for Sleeve Notes and Audio Advice
Simon Heartfield Audio Advice
Jez Stevens for Video
Colin Morrison at Castles in Space
Nick Taylor for Artwork/Design
Antony at RedRed Paw Mastering
CiS and Keith Seatman would like to thank Spencer Robinson for
invaluable production support and Mr Bob Fisher at Electronic Sound and BBC Tees.
Cat: CiS042

 

Concrete Islands Review

Gigslutz Review

Time to Dream but Never Seen (Feb 28th 2020)

Time to Dream but never Seen.
Release Date Feb 28th 2020

 Credits
All Tracks written by
Keith Seatman
Except*
Seatman and Powell
Music
Keith Seatman
Words and Voice
Douglas E Powell 
Produced by
Keith Seatman and Jack Packer
© Keith Seatman 2019
Many Thanks to
Jim Jupp for Sleeve Notes and Audio Advice
Simon Heartfield Audio Advice
Jez Stevens for Video
Colin Morrison at Castles in Space
Nick Taylor for Artwork/Design
Antony at RedRed Paw Mastering

CiS would like to thank Spencer Robinson for
invaluable production support
Cat: CiS042

 Keith Seatman’s music is an anachronistically repurposed assemblage of sounds, melodies and technologies plundered from different time zones. Perhaps no surprise as he lives and records a stone’s throw from the jaded, yet jaunty seafront of Southsea in Portsmouth on the south coast of England. This album however is far from being a haphazard and spontaneous collage. Keith’s busy and dense soundworld is composed though a very deliberate and painstaking process. Unlikely musical and sonic juxtapositions artfully evoke a sense of place and narrative. This latest excursion is bad-trip psychedelia shot through with wistful and whimsical melodies and occasional haunted voices.
So, on Last One In for example, what could be a chirpy and exciting theme tune to a 1970s kid’s adventure series is modulated into a minor key by a sinister synth bass line and menaced by a stomping bother boy rhythm. In the opening track On to the Pier & Down to the Sea, the amusement arcade din is submerged in a watery digital swirl during. Likewise, on Tippy Toe Tippy Toe the tiddly-om-pom-pom of the pier is heard from the point of view some approaching aquatic creature or perhaps by a drowning man. This track heralds the closing section of the album which shifts focus from the seafront to its rustic precursor, the mayday fair. Something weird comes to the village in Waiting by the Window. Sounding as if late period Radiophonic Workshop (when they got hold of expensive synths) had popped back 15 years to work with their boffinish tape wielding forbears. It summons an atmosphere like a Nigel Kneale drama or one of those folk-horror inspired episodes of Dr.Who. 
Finally, the album’s title track seems to offer a chance of escape to a more rustic idyll 
with melancholy mellotron flute and mumbled nursery rhymes. But as the album 
closes it feels like a relentlessly inescapable holiday-special steam train drags us back
On to the Pier & Down to the Sea. Jim Jupp, Ghost Box Records   (extract Sleeve Notes) 

 

Chactonbury Ring (Justin, Sharron and Belbury)

Due to my daytime employment I get the benefit of having most of the summer off (and 4 half terms) so at least once in the summer and Winter I take a walk up to the SouthDowns and onto Chactonbury Ring. The photo above was taken a couple of years ago in mid December. That day I never made it to the Ring, as the weather was so bad... and I mean really bad. The wind was vicious and the rain hurt; that was as close as I could get that day.
For those of you who might (and I mean might) not know, Chactombury Ring is situated on top of Chactonbury Hill in West Sussex. Originally it was a late Bronze Age Hill Fort. Legend has it that Chanctonbury Ring was created by The Devil and that he can be summoned by running around the clump of trees seven times anti-clockwise. If he appears he will then offer you a bowl of soup in exchange for your soul. I always take a flask of soup so I should be ok. There have been reports over the years of UFO sightings, Paranormal Activity and witchcraft. The Writer and Author Robert McFarlaine writes about a night spent at Chactonbury Ring in his book The Old Ways; were he is woken up in the night after hearing chilling cries outside his tent.
So imagine my excitement when Mr Jupp from Belbury sent me a copy of the new GhostBox release Chactonbury Rings by Justin Hopper Sharron Kraus with Belbury Poly (Release Date 21st June 2019)
A spoken word and music project by writer Justin Hopper and folk musician Sharron Kraus. It also features Ghost Box's own Belbury Poly. Based on live performances of Hopper's 2017 book The Old Weird Albion (publ. Penned in the Margins), it’s a poetical, autobiographical and psychogeographical account of his experiences at Chanctonbury Ring on the West Sussex Downs.
(Ghostbox Records)
At times reminiscent of the David Cain and Ronald Duncan’s The Seasons. This is a beautiful and perfect sounding album (All Music by Sharron Kraus except Chactonbury Rings by Jim Jupp and Slow Air by Sharron Kraus and Richard Heacock)  Sharron Kraus's voice/vocals on Wanderer are haunting and soothing while Justin Hoppers narration is composed calming and untroubled. He takes us on a wonderful spoken journey which we have to follow through from start to finish.

A bit of an update

There are now only 5 CD copies of Disjointed Oddities and Other Such Things left on my Bandcamp site
The Broken Folk 10inch EP is still available from the re-vamped and new looking
Belbury Music Shop.

My last album was All Hold Hands and Off we Go in 2017 and I spent most of 2018 working on the 2 EPs and Tracks for A Year in the Country and Wyrd Kalendar

I do have plans to release another album sometime, tunes have been recorded and at present its lots of listening back and whittling the tracks down to maybe a dozen.
At present really not sure when or how it will be released.
I have recorded a track for A Year in the Country for relese later in the year.
When I do know what I am doing (do I ever ???)
I will post all info here and on Twitter

Vinyl and Digi update

New Year update

There are still some Vinyl copies of the Seatman and Powell (featuring Belbury Poly)
10inch ep available from The Belbury Music Shop

Or if the mood takes you
full digi discount bundle consisting of 5 albums and 2 ep's
from Bandcamp

An Interesting Start to the Year

Its been an interesting start to the year. Arriving in my mail box the other day was the announcement of the next Buried Treasure Records Deleware Rd event. This time round its taking place in at an old Army base in Wiltshire on Sat 17th and Sun 18th Aug
LINE UP CONFIRMED so far is: PENNY RIMBAUD / DOMINIC LASH + SETH COOKE / PAUL WATSON / ANI KCAM / MARK VERNON / NATALIE SHARP / LONE TAXIDERMIST / ANDREA PARKER / LIA MICE / CATTLE / THE SEANCE / FRONT & FOLLOW / KEMPER NORTON / THE SLOWEST LIFT / EMBLA QUICKBEAM / ARC SOUNDTRACKS / DJ FOOD / SARAH ANGLISS / CLAY PIPE MUSIC / SIMON JAMES / REVBJELDE / CASTLES IN SPACE / THE TWELVE HOUR FOUNDATION / CONCRETISM / POLYPORES / PSYCHE TROPES / SCULPTURE / HOWLROUND + MERKABA MACABRE / A’BEAR / DOUG SHIPTON / NICK TAYLOR / ALISON COTTON / IAN HELLIWELL / RADIONICS RADIO + MORE TO BE ANNOUNCED.
The austere military complex of New Zealand Farm near West Lavington will act as the
venue for over 10 hours of live music, DJs, experimental films, talks, exhibitions, rituals & theatrics inspired by landscape, myth, broadcast propaganda & the transformative nature of sound.

Tickets available from here

Next up and arriving just before Christmas was the new one from Pye Corner Audio; Hollow Earth. Its PCA's 3rd album for Ghostbox and was conceived as a sequel to 2016's Stasis. Its a lovely sounding album, mastered by Dean Honer with artwork by Julian House. Stand out track for me is the wonderfully haunting The Seventh Labyrinth (makes the hairs on the back of my neck stand everytime I here it.
Hollow Earth is Released on 15th Feb 2019
as CD, LP and Download from State 51 Conspiracy

Back in 2016 at the Folk Horror event at the British Museum
Chris Lambert asked me to contribute a track to the Wyrd Kalender album....and here it is

WYRD KALENDAR

Released by Mega Dodo
Jan 1st 2019
Edited and curated by Chris LambertMastered by Chris Sharp
Book written by Chris Lambert
Illustrations and artwork by Andy Paciorek

 Following the success of “Songs from the Black Meadow” in 2016 Mega Dodo and Chris Lambert are proud to present Wyrd Kalendar, a new Book and CD release. This will be released on January 1^st the beginning of the next Wyrd year.
 
Wyrd Kalendar takes the year as its starting point weaving from dark and forgotten traditions stories and music to delight, disturb and escape into.
 
Artists from the England, Scotland, Ireland and Portugal were each given a month of the year and a story from the book (Wyrd Kalendar) as a starting point from which to create a vastly eclectic and evocative mix of genres that sweep from the worlds of Folk to Electronica via Psychedelic licks and lost Horror Soundtracks.
 
Each month is presented by a different artist.
January: Widow’s Weeds (lead by Grey Malkin formerly of The Hare and the Moon) give us their occult tinged hymn to that month in Song for January.
February: Electronic wizard Keith Seatman explores the strange world of the Three Day Girl forever doomed to experience the missing days of that truncated month.
March: Psych-Folk singer Emily Jones brings to life the words of her long dead ancestor in Waiting for Spring.
April: Psychedelic Queen of Spring - Crystal Jaqueline plays us all for fools as she goes Chasing the Gowk.
May: Ghost Box’s Beautify Junkyards charm us with their delicious and haunting May Day Eve.
June: Alison O’Donnell of Mellow Candle, Flibbertigibbet, Firefay and United Bible Studies teams up with David Colohan on her wasp celebration Deadly Nest.
July: Scarfolk collaborator and electronic ghost of Cold War Britain Concretismbrings to life A Fair by the Sea.
August: Icarus Peel explores lost love and yearning as he explores the words of the aching and humid The Weeping Will Walk.
September: Legendary Folk Rock duo Tir na nOg encourage us to raise a glass to Autumn with Columbine.
October: Wyrdstone explores the haunting rhythms of harvest in The Field.
November: The Soulless Party leave the Black Meadow to take us for a Dark November Drive.
December: The Rowan Amber Mill explore the darker side of Christmas with The Witch’s Lament.
The Year: The 13^th track of the album is called Wyrd Kalendar. The Mortlake Bookclub explore the world of the book and the year through their unusual aural game of Exquisite Corpse.
Available from Here

Out Now. Broken Folk 10 inch EP and Digi Release

After over a year of planning, and long walks on the Southdowns, the Seatman And Powell (Featuring Belbury Poly) 10 inch has arrived. The original plan for this release was conceived 18 months ago late one night in North Devon. Myself and Doug, decided to release a 7 inch single containing two vocal tracks. These tracks were from the albums all hold hands and off we go and A Rest Before the Walk. Doug and I would re-master and re-work these 2 tracks and release them as a very limited run. Then the idea moved on a bit to a 7 inch ep. Months went by and I discussed this project with Jim Jupp at Ghost Box. Way back in early 2018 myself Jim, Doug and our friend Russel went for a very long walk along the South Downs. It was when sitting in a very snug pub in Lewes that Jim said he would be interested in releasing the single but taking it up to a 10inch on colour vinyl and full colour artwork. Not to be released on Ghostbox but released through his own Belbury Music. I said yes to this and months down the line here is the final product.
The EP has 5 tracks with Broken Folk remixed by Belbury Poly.
The 4 other tracks have been re-worked by myself and Doug.
All tracks re-mastered by Jim Jupp, and all artwork by Jim Jupp at Belbury Music.
Broken Folk Excerpts Soudcloud
  An EP of collaborations with folk singer Douglas E. Powell selected from Keith Seatman’s last two albums. It opens with a remix of the title track Broken Folk by stalwarts of British pastoral electronica Belbury Poly.
Melancholic and subtly psychedelic, these songs are redolent of supernatural short stories and winter afternoons out on English landscapes.  They are dark rustic reveries, occupying the overlapping territory between haunted electronica and wyrd folk.
Seatman builds a dense collage of electronics, fragmented melody and found sound, around which Powell weaves his dreamlike lyrics.
The tracks have been remastered for the EP by Belbury Poly’s Jim Jupp and the 10” is pressed on translucent green vinyl with sleeve art by Jim Jupp. It’s released on Seatman’s own label
KS Audio in conjunction with Jupp’s Belbury Music.
The Broken Folk vinyl ep can be purchased from the
Belbury Music Shop 
The Digital version is available from Bandcamp.   

 

Broken Folk EP Excerpts. Release Date Nov 14th 2018