Monday, 16 January 2017
Splitting the Atom XXXV Echopet
My friend Mr Stevens and I will be playing live as Echopet at Splitting the Atom The Green Door Store Brighton this Sunday (22nd) at around 5pm (give or take) We have had one rehearsal and have an idea of what we are going to do.........or not do which might be the case. Who knows???? our equipment might even work this time. Its Free!!!!!!!
Saturday, 14 January 2017
Test Transmission Archive Reel 28
Here we are with the 1st Test Transmission Archive Reel of 2017. We have
music from (but not necessarily in this order) Peter Howell & John
Ferdinando, Eno, Max Gregor, Obsil, The Glove, Johnny Flynn, Simon
Heartfield, Perrey & Kingsley, Bare Bones, Pram, Owl Service,
Ligeti, Jacky, The Séance with Lutine, Quintron and Jeff Mills. Hope
that keeps you all going. So until next time. TATA.
Sunday, 8 January 2017
Gurdy Hurding
I have known Brian from Renaldo and the Loaf for a very very very long time. Our paths first crossed when I was in a little to known band called the Marilyn Monroes. I was very pleased recently when Brian invited me round to Renaldo towers to present me with a copy of the new Album. The first track I heard from the new album was A Convivial Ode, which has a lovely video, directed by the other half of Echopet Mr Jez Stevens. Fans of the band will not be disappointed in the 21st Century Renaldo and the Loaf sound. Gurdy Hurding is a superb album, full of pitched voices, strange sounds, quirky instruments, odd timings with a medieval feel and a wonderful production. This is the first album from Renaldo and the Loaf in nearly 30 years, the last being Elbow is Taboo and can be purchased from Klang Gallerie and The Ghost Box records Guests shop.
Sunday, 1 January 2017
all hold hands and off we go. Release April 2017
Here are 11 excerpts from all hold hands and off we go.
all hold hands and off we go is the 5th album of strange Electronics, Psych, Radiophonics, Drone and quirky Folk by Keith Seatman.
As on his previous release (A Rest Before the Walk) Keith re-unites with North Devon Singer/Songwriter Douglas E Powell for two tracks
mr metronome and boxes with rhythms in.
Release Date April 2017
CD and Digital download from Bandcamp.
The tracks are
a lighthouse might look long
all hold hands and off we go
skipping rope
mr metronome*
left behind or lost & dropped
four steps at a time
odd in a nightcap and cup
tap tap
boxes with rhythms in*
with salt and candy
please, is it you?
Out into the light sometime April-ish and again finds Mr Seatman forging alliances with Mr Powell for an album length sonic journey into the surreal, the strange and the sinister, a psychedelic pseance populated by waking dreams, nocturnal nightmares and supernatural forbearance, a melodic map of discovered Barrett-esque continents and hitherto beyond the eye magick lands. Trippy stuff.
The Sunday Experience (Jan 2017)
Keith Seatman's science fiction landscapes explode with meekness that is undiscriminating as it is enthusiastic. Seatman is a talented sound designer, and it shines on his instrumentals.
Wire Magazine 383 (Jan 2016)
Spellbinding, Captivating, Evocative Radiophonic keyboard compositions and electronic folk. Brilliant.
Carl Griffin Electronic Sound Magazine (Dec 2016)
Seatman’s odd melodies sit with industrial repetition to convey the scares of the synth laden themes and incidental scene setting pieces of early 70s through early 80s kids TV
Jon Mills (Shindig Magazine issue 39 2014)
"Seatman is a kindred spirit, and this is his most evocative and personal sounding work to date."
Jim Jupp, (Ghost Box, 2013)
Keith Seatman is someone whose music I first heard in the context of my old experimental music zine, ‘WonderfulWooden Reasons’ and who’s album left me craving more. His latest is an utterly glorious selection of filmic folk and ghostly electronica that is utterly mesmerising from first to last.
Wyrd Britain (Nov 2015)
Hampshire’s Keith Seatman is a name that will be familiar to many from his previous albums such as ‘Around The Folly And Down Hill’ and ‘Consistently Mediocre And Daydreams’, both modern classics of spooked electronica and shadowy synthesised vignettes. If you have not already do take a journey through his back catalogue, there are many evocative and unsettling treasures to be found. Seatman is also known for his superb ‘Test Transmission Archive Reels', extensive mixes featuring vintage recordings, electronic and hauntological tracks and choice musical offerings.
The Active Listener (Oct 2015)
all hold hands and off we go is the 5th album of strange Electronics, Psych, Radiophonics, Drone and quirky Folk by Keith Seatman.
As on his previous release (A Rest Before the Walk) Keith re-unites with North Devon Singer/Songwriter Douglas E Powell for two tracks
mr metronome and boxes with rhythms in.
Release Date April 2017
CD and Digital download from Bandcamp.
The tracks are
a lighthouse might look long
all hold hands and off we go
skipping rope
mr metronome*
left behind or lost & dropped
four steps at a time
odd in a nightcap and cup
tap tap
boxes with rhythms in*
with salt and candy
please, is it you?
Out into the light sometime April-ish and again finds Mr Seatman forging alliances with Mr Powell for an album length sonic journey into the surreal, the strange and the sinister, a psychedelic pseance populated by waking dreams, nocturnal nightmares and supernatural forbearance, a melodic map of discovered Barrett-esque continents and hitherto beyond the eye magick lands. Trippy stuff.
The Sunday Experience (Jan 2017)
Keith Seatman's science fiction landscapes explode with meekness that is undiscriminating as it is enthusiastic. Seatman is a talented sound designer, and it shines on his instrumentals.
Wire Magazine 383 (Jan 2016)
Spellbinding, Captivating, Evocative Radiophonic keyboard compositions and electronic folk. Brilliant.
Carl Griffin Electronic Sound Magazine (Dec 2016)
Seatman’s odd melodies sit with industrial repetition to convey the scares of the synth laden themes and incidental scene setting pieces of early 70s through early 80s kids TV
Jon Mills (Shindig Magazine issue 39 2014)
"Seatman is a kindred spirit, and this is his most evocative and personal sounding work to date."
Jim Jupp, (Ghost Box, 2013)
Keith Seatman is someone whose music I first heard in the context of my old experimental music zine, ‘WonderfulWooden Reasons’ and who’s album left me craving more. His latest is an utterly glorious selection of filmic folk and ghostly electronica that is utterly mesmerising from first to last.
Wyrd Britain (Nov 2015)
Hampshire’s Keith Seatman is a name that will be familiar to many from his previous albums such as ‘Around The Folly And Down Hill’ and ‘Consistently Mediocre And Daydreams’, both modern classics of spooked electronica and shadowy synthesised vignettes. If you have not already do take a journey through his back catalogue, there are many evocative and unsettling treasures to be found. Seatman is also known for his superb ‘Test Transmission Archive Reels', extensive mixes featuring vintage recordings, electronic and hauntological tracks and choice musical offerings.
The Active Listener (Oct 2015)
Subscribe to:
Posts (Atom)